Musician Garth Hudson poses in Toronto on Tuesday, Nov. 2, 2010. The Associated Press

NEW YORK — Garth Hudson, the Band’s virtuoso keyboardist and all-around musician who drew from a unique palette of sounds and styles to add a conversational touch to such rock standards as “Up on Cripple Creek,” “The Weight” and “Rag Mama Rag,” has died at age 87.

Hudson was the eldest and last surviving member of the influential group that once backed Bob Dylan. His death was confirmed Tuesday by The Canadian Press, which cited Hudson’s friend, Jan Haust. Additional details were not immediately available. Hudson had been living in a nursing home in upstate New York.

A rustic figure with an expansive forehead and sprawling beard, Hudson was a classically trained performer and self-educated Greek chorus who spoke through piano, synthesizers, horns and his favored Lowrey organ. No matter the song, Hudson summoned just the right feeling or shading, whether the tipsy clavinet and wah-wah pedal on “Up on Cripple Creek,” the galloping piano on “Rag Mama Rag” or the melancholy saxophone on “It Makes No Difference.”

The only non-singer among five musicians celebrated for their camaraderie, texture and versatility, Hudson mostly loomed in the background, but he did have one showcase: “Chest Fever,” a Robbie Robertson composition for which he devised an introductory organ solo (“The Genetic Method”), an eclectic sampling of moods and melodies that segued into the song’s hard rock riff.

Robertson, the band’s guitarist and lead songwriter, died in 2023 after a long illness. Keyboardist-drummer Richard Manuel hung himself in 1986, bassist Rick Danko died in his sleep in 1999 and drummer Levon Helm died of cancer in 2012. The Band was inducted into the Rock and Roll Hall of Fame in 1994.

Formed in the early 1960s as a backing group for rocker Ronnie Hawkins, the Band was originally called The Hawks and featured the Arkansas-born Helm and four Canadians recruited by Helm and Hawkins: Hudson, Danko, Manuel and Robertson. The Band mastered their craft through years of performing as unknowns — first behind Hawkins, then as Levon and the Hawks, then as the unsuspecting targets of outrage after hooking up with Dylan in the mid-1960s. All joined Dylan on his historic tours of 1965-66 (Helm departed midway), when he broke with his folk past and teamed with the Band for some of the most stirring and stormiest music of the time, enraging some old Dylan admirers but attracting many new ones.