Associated Press reviewers Christy Lemire and David Germain saw the same films in 2011, but they clearly weren't seeing the same pictures.
They usually have a fair amount of overlap in their top 10 lists, but this time, they agreed on only one film. Here are their picks.
The top 10 films of 2011, according to Christy Lemire:
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Joseph Gordon-Levitt stars as a young man trying to make the most of his cancer diagnosis in “50/50.”
* "Martha Marcy May Marlene" - The year's most haunting film, with a star-making performance from Elizabeth Olsen as a young women who struggles to assimilate to the outside world after fleeing a cult. Writer-director Sean Durkin, making his astoundingly confident feature debut, cuts seamlessly between the psychological abuse of her past and the paranoia of the present.
* "50/50" - It's a comedy about cancer, which would sound like a tricky proposition, but director Jonathan Levine has crafted a film that's uproariously funny, and he finds just the right tone every time. Joseph Gordon-Levitt stars as a young man who learns he has a rare tumor on his spine, one he has a 50-percent chance of surviving; friends and family try to help and usually end up saying or doing the wrong thing.
* "The Myth of the American Sleepover" - No one saw this movie. It was only in theaters for a few weeks and it didn't even make $40,000. And that is such a shame, because not a single moment rings false in this quietly observant, gently insightful feature debut from writer-director David Robert Mitchell. He's taken a genre that's overly familiar - the all-night teen dramedy - and made it feel refreshing and new.
* "The Tree of Life" - Bold, gorgeous, ambitious, self-indulgent, maddening - Terrence Malick's opus about nothing less than the origin of the universe is all these things and so much more. But it's also unlike anything you've ever seen and it's sure to alter your mood long after it's over. Brad Pitt gives one of the best performances of his career as a stern father of three boys in 1950s Texas and Jessica Chastain is lovely as his playful, doting wife.
* "Bellflower" - Evan Glodell directed, wrote, co-produced, co-edited and stars in this ultra-low budget film - his first feature - which essentially suggests that getting your heart broken is tantamount to the apocalypse. He takes this notion to incendiary heights, and in doing so, has made one of the most wildly creative movies to come along in a while. His film subtly morphs from a sweet, idyllic romance to something dangerous and disturbing.
* "Melancholia" -The best film Lars von Trier has made in a while, maybe since "Breaking the Waves," and yet it's a devastatingly beautiful, operatic mixture of all his signature themes and visual schemes. His exploration of depression is visually sumptuous, featuring a lengthy, wordless, super-slow-motion prelude that portends his characters' fate. For "melancholia" isn't just a state of mind but a planet that's hurtling toward Earth, and Kirsten Dunst is riveting as the new bride who welcomes such a catastrophe.
* "Take Shelter" - There seems to be a theme emerging; here's yet another selection about the threat of an apocalypse, either real or imagined. That's much of the allure of writer-director Jeff Nichols' film: It keeps us guessing until the very end, and even the ending is open for interpretation. And it features a tremendous lead performance from Michael Shannon as a husband and father in rural Ohio whose nightmares grow more vivid and urgent.
* "Hell and Back Again" - Director and photographer Danfung Dennis has crafted a documentary about the war in Afghanistan with the mesmerizing, dreamlike artistry of a feature film. Dennis jumps back and forth between a 25-year-old Marine sergeant's return to his North Carolina hometown and the mission that left him seriously wounded. He is so in the thick of things, he'll repeatedly make you wonder how he got that amazing shot.
* "Beginners" - Cute narrative gimmicks abound here, ones that might have seemed too cloying or self-conscious, but writer-director Mike Mills makes it all work with humor and poignancy. He also draws lovely, natural performances from Christopher Plummer and Ewan McGregor as a father and son who are finally getting to know each other, truly, toward the end of the father's life.
* "Bridesmaids" - Director Paul Feig's film takes the typically cliched wedding movie genre and completely upends it. But it also takes the Judd Apatow-style buddy comedy, with its mixture of raunchiness, neurosis and sentimentality, and tailors it to female experiences and sensibilities. That the film achieves both of these ambitious goals simultaneously while remaining (mostly) hilarious is a testament to the power of Kristen Wiig as co-writer and star, and to the awesomely eclectic ensemble cast of strong comediennes who surround her.
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The top 10 films of 2011, according to David Germain:
* "The Artist" - Enough with 3-D. Cinema finally is back where it belongs with this boxy, black-and-white, silent gem about a 1920s screen idol whose career is muzzled by the talkies. Director Michel Hazanavicius lets us all in on his wondrous dream, a film whose every moment delights with grand visual tableaux, lush music, ageless performances by Jean Dujardin and Berenice Bejo and the most adorable dog this cat lover has ever seen.
* "Tinker Tailor Soldier Spy" - Alec Guinness did what seemed the definitive version of John le Carre's spymaster George Smiley in two miniseries 30 years ago. But Gary Oldman makes the role completely his own here, inhabiting Smiley's stillness and impenetrability, somehow conveying the man's subsurface passion while barely twitching a muscle. Director Tomas Alfredson and his phenomenal cast tell a fiercely cerebral, meticulously paced spellbinder.
* "Hugo" - Martin Scorsese makes the third dimension not just eye-catching but essential to the experience. Scorsese's 3-D enfolds viewers in 1930s Paris, letting fans walk right alongside his two child heroes as they restore a bitter old man's faith and sense of wonder. And what a trip back to the moon it is to see Scorsese's affectionate re-creations of film pioneer Georges Melies' silent fantasies.
* "Le Havre" - Finnish director Aki Kaurismaki's simple tale of a French shoeshine guy and an immigrant youth is sly and stealthy. Sweet yet unsentimental, understated yet rich in spirit, the film is populated by old souls who are a joy to watch, led by Andre Wilms as the shoeshiner who steps into the guardian angel role for an African boy who is in France illegally.
* "The Girl With the Dragon Tattoo" - It seemed a thankless task to follow Noomi Rapace, the electrifying lone-wolf in the Swedish-language adaptation of Stieg Larsson's best-seller. But Rooney Mara goes deeper and darker with a controlled detonation of a performance in David Fincher's Hollywood version. As a disgraced journalist who teams with Larsson's avenging angel, Daniel Craig is an anchor of cool rationality around which Mara revolves like a demon.
* "50/50" - Who says cancer can't be entertaining? Inspired by his own medical battle, screenwriter Will Reiser tells an authentic tale where laughter, lust, selfishness and duplicity don't go away just because of a little tumor. Every cancer patient should have a lewd, crude friend like the one Joseph Gordon-Levitt has here in Seth Rogen. Director Jonathan Levine juggles a jangle of emotions and keeps them all in the air, while the cast makes every moment genuine.
* "Submarine" - Richard Ayoade's directing debut is dead on in the emotions - from blissful obsession to abrupt indifference - that accompany first love and teen desire. Craig Roberts as a big-eyed Welsh romantic and Yasmin Paige as a rebellious firebug are the unlikeliest but most adorable couple in all of Wales.
* "The Help" - First-time director Tate Taylor does a slick, smart job adapting childhood pal Kathryn Stockett's best-seller about black maids in 1960s Mississippi spilling the beans on their white employers. And where to begin with the performances? Viola Davis, Emma Stone, Octavia Spencer, Jessica Chastain, Bryce Dallas Howard - we can go on and on.
* "Troll Hunter" - This deliriously weird mock documentary is a wild ride through remote and alien landscapes of Norway, where huge, hideous trolls - yes, trolls - are on a bloody rampage. Director Andre Ovredal adds his own mad spin to the found-footage horror story. Purportedly shot by filmmakers who disappeared while chronicling the exploits of a professional troll hunter, the film is a fresh, visceral take on the monster movie, loaded with impressive special effects and warped, wicked humor.
* "The Muppets" - Director James Bobin, Jason Segel and Amy Adams team for a gentle, loving rebirth for Kermit and pals, filled with those schmaltzy, toe-tapping Muppet tunes and giddily corny gags. The movie is an elaborate production, but it feels guileless and timeless.
